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Dealer meets & launches

Running a Multi-City Dealer Roadshow With One Travelling Set

How to run a multi-city dealer roadshow with one travelling set: modular design, factory build, packing, routing, crew and keeping every city's show the same.

Cover: Running a Multi-City Dealer Roadshow With One Travelling Set
Ticket counter

A multi-city dealer roadshow works with one travelling set when the set is designed for the smallest venue on the route, built to pack and assemble quickly, and run by a crew that travels with it. You get the same look and the same show in every city, and you build once instead of several times.

The trade-off is planning. The route, venue checks, packing and crew all have to be worked out before the first city, because there is little time to fix things between stops. Here is how we approach it.

One set, or a set per city?

A single travelling set suits a roadshow with a few days between cities, venues of similar size and a consistent programme. It keeps quality and branding identical and avoids building several copies. It does not suit back-to-back dates in distant cities, where trucks cannot cover the distance and leave time to set up.

Consider two sets, or a travelling set plus a local build, when:

  • Two cities fall on consecutive days and are far apart.
  • One venue is much larger and needs a bigger stage.
  • Some stops are hotel ballrooms and others are open-air or hall venues with different needs.
  • You want the launch city to have a bigger reveal than the rest.

Design for the smallest room on the route

Collect floor plans, ceiling heights and load-in details from every venue first. Then design the core set to fit the tightest of them. For larger venues, add modules such as extra side panels, a wider stage section or more screens. Starting big and trying to shrink a set on the road is where roadshows go wrong.

Visit or video-call each venue if you can. Floor plans do not always show a low door, a step in the service corridor or a lift that is unavailable at certain hours.

  • Stage platforms in standard sections that can be added or removed.
  • Backdrop panels that work at two or three widths.
  • Screens or LED tiles that can be arranged in more than one size.
  • Graphics on replaceable skins, so city names or regional messages can change.
  • Product display units that pack flat or nest inside each other.
  • Joints designed to be assembled many times without loosening.
Front view of the ticket counter with the ticket rules standee and red rope queue barriers
Ticketing area

Build, dry-assemble and pack in the factory

A travelling set is built stronger than a one-off. Frames, edges and joints take more wear, and finishes must resist scuffs from repeated handling. We build these sets in our Bengaluru factory and dry-assemble the full set before it leaves, so every part fits and the crew learns the build before the first city.

Packing is part of the design. Each piece is labelled, packed in the order it comes out at the venue and protected for the road. Reusable crates and covers that come back every time mean less damage than wrapping that is thrown away after each stop.

Carry a spares kit with the set: extra fixings, a few spare panels or graphic skins, touch-up paint, tape, lamps and cables. Small damage on the road is normal, and a crew that can fix it on site keeps the show looking as fresh in the last city as in the first.

Routing and the time between cities

Map the route with real driving times, not distances on a map. Allow for dismantling at one venue, loading, the drive, unloading and set-up at the next, plus a rehearsal. Check whether each venue allows load-in the night before, and when the room must be cleared after the show.

  1. Dismantle and load-out at the previous venue.
  2. Drive time, with a buffer for traffic, checkposts and weather.
  3. Load-in slot and set-up window at the next venue.
  4. Technical check and a short rehearsal.
  5. Show time.
  6. Dismantle and repack for the next stop.

Our usual lead times apply to the first city: brief us three to four weeks ahead within Karnataka, four to six weeks for the rest of South India, and six to eight weeks elsewhere. A roadshow needs extra time on top for the route plan and the add-on modules.

Crew and a consistent show

Keep a core crew that travels with the set: a production lead, a stage crew lead, a show-caller and the key sound, light and video operators. They know the set, the cues and the content, and they get faster in every city. Local hands can help with lifting and loading, but the people who run the show should stay the same. Plan the crew's travel and rest as carefully as the truck's, because tired crews make mistakes on the third and fourth stops.

Use one cue sheet and one content package for every city, with only the local details changed, such as the city name, the regional head and the local award winners. Rehearse the full show in the first city, then a shorter technical run at each stop.

Cities on a southern route

Roadshows in the south often link cities such as Bengaluru, Chennai, Hyderabad, Kochi and Coimbatore. We run dealer meets and launches in these cities and beyond. See our pages on dealer meets in Chennai, dealer meets in Coimbatore and dealer meets in Mysuru. Between roadshows, the set can be stored and refreshed, the same way we handle reusable stalls.

At the end of the tour, review what wore out, what took longest to set up and what the crew would change. Those notes make the set better before the next roadshow.

Planning a roadshow?

Share your cities, dates and dealer counts on Plan your project, or WhatsApp or call +91 70190 58391. We will plan one set, one route and one crew to carry your show from city to city.

#Roadshow#Dealer meet#Modular sets#Logistics#Multi-city events

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